Good drama is built on conflict of some kind -- an opposition of forces or desires that must be resolved by the end of the story. Streetcar Named Desire employs exactly that. An opposition of forces, and desire, all of which must come to some sort of resolution or conclusion at the end. This is the backbone of the dramatic structure used in Streetcar Named Desire. The start of the play introduces the audience to …
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showed last 75 words of 425 total
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